Stand Up Zamboanga! Essay Example for Free

Stand Up Zamboanga! Essay We cannot deny the fact that hatred and lack of unity and peace led to Zamboanga Crisis. Just for example, recently we’re facing the pork barrel scam issue wherein some of our recognized political leaders are involved to and they are just trying to divert the people’s attention and as a result, a war broke out in Zamboanga City. And also racial and religious discrimination between Christians and Muslims. The MNLF leader Nur Misuari wants to claim Zamboanga City as his own, and strive to fight for his selfish ambition by leading his men to cause trouble in the city resulting to deaths of innocent people, loss of homes especially in the affected areas, destruction of properties, trauma, fear, hatred, absence in work, missing out important lectures and school activities for students, loss of income especially to those who need to work daily to earn a living and the dwindling state of the city’s economy as a whole. The government sectors and non-government offices should work hand in hand for faster crisis rehabilitation in Zamboanga City as well as the volunteers and community as a whole. They should implement new strategies how to cope up and solve the conflict situations in the shortest possible time to avoid further damages. The higher officials should display a role model in strictly abiding the city’s rules and regulations instead of involving in certain anomalies and controversies. So that the people can learn to trust and respect them and can follow and learn to abide in the government policies too. They should never tolerate violence and crime so that the people will not abuse and rebel and will learn how to be God-fearing with righteousness in mind. We are living in the modern era where the trend of technology is a great help in the rehabilitation program of the city, community, evacuees and future generation. For example the use of different media of communications like radio broadcasting, social internet sites like facebook and twitter wherein people can be well-informed and they can express their sides and opinions, encouraging and consoling one another eventually forgetting the trauma at the right time. Also we can connect with our fellow Filipinos from other areas, regions and countries offering help by giving voluntary donations  such as relief goods, rice, clothings, sanitary kits and shelter tents for the evacuees. Our allies from other nations especially U.S. also help in providing high tech military equipments, sharing their knowledge about new strategies and tactics in combating the enemies and training our own soldiers. Even as student and citizen of Zamboanga City, I can contribute towards building a better Zamboanga by starting in my own little way of helping other people in need. I can devote my time studying hard and become a professional serving our own city and educating the young so that they can have the proper mindset that we Zamboangueà ±os can be united and can be peacefully working together despite our religious differences in achieving progress and prosperity in our city.

Commercial Vices :: essays research papers

Commercial Vices   Ã‚  Ã‚  Ã‚  Ã‚  The commercial vices are gambling, prostitution, and drugs. The appeals of the commercial vices are so strong and widespread that attempts to prohibit them in western countries have always failed.   Ã‚  Ã‚  Ã‚  Ã‚  The evils of these vices are threefold: Those who practice them suffer, the criminals who sell them prosper, and the enforcement organizations are expensive, unsuccessful, and often corrupt.   Ã‚  Ã‚  Ã‚  Ã‚  Two commercial vices have been accepted as unstoppable, but there evils have been minimized by legalization and regulation. These are the particular drug, alcohol, and gambling. Ethyl alcohol, the drug in beer, whiskey, and wine does more harm is causing accidents, overdose deaths, job failures, broken homes, and violence than all other drugs combined.   Ã‚  Ã‚  Ã‚  Ã‚  The United States attempted to prohibit alcohol and failed. The Mafia made its money by bootlegging alcohol. The gangsters of the twenties and thiries were in the alcohol business just as the drug peddlers of today are in the drug business. Both settled trade disputes with gun fire. When alcohol prohibition was repealed and sale by licensed dealers was instituted, the Mafia went out of the liquor business and the revenue agents assigned to stop the illegal business went out of business too. The quality of regulated liquor became assured and taxed, not high enough to motivate bootlegging, became a source of public revenue. Consumption of legal alcohol became only slightly greater than the consumption of illegal alcohol had been.   Ã‚  Ã‚  Ã‚  Ã‚  If we follow the alcohol example with all other drugs, the benefits will obtain. Much more than that, the temptation of the forbidden fruits will disappear. The jailing of petty drug pushers will stop, together with their training as future serious criminals in the crime schools which are jails. If we transfer the huge sums wasted on efforts and on punishment to serious education and rehabilitation programs, the drug problem will retreat to the trivial level it was fifty years ago.   Ã‚  Ã‚  Ã‚  Ã‚  At one time all but private gambling at home was illegal. So the Mafia ran the numbers rackets and secret games and the bookmaking where law abiding citizens did their unstoppable gambling. Now governments run lotteries and license and supervise casinos so the gangsters are largely out, cheating in minimal, and governments earn revenue instead of paying police.   Ã‚  Ã‚  Ã‚  Ã‚  Prostitution is an even more emotional problem. Addiction to sex is genetic, permanent, and deprivation has many more penalties. Prostitution is the worlds oldest profession. Here, again, legalization and regulation in Nevada was already eliminated the pimps and gangsters and reduce the police

How Does Donatello Tell the Story of the Annunciation

Painting/Sculpture Essay- Ronan Carey Donatello, originally known as Donato, was given the name Donatello by his relatives and thus, wrote it that way on many of his works, was born in Florence in the year 1386. A gifted artist, he was not only an excellent sculptor and a marvellous statuary, but also prevalent in stucco, an able master of perspective, and a greatly admired architect who worked in virtually every medium possible during his long career, marble, bronze, low relief, pietra serena (dark stone), and even wood .And according to Vasari in his â€Å"Lives of the Artists†: â€Å"his works showed so much grace, design, and excellence, that they were held to approach more nearly to the marvellous works of the ancient Greeks and Romans than those of any other craftsman whatsoever. † The piece that shall be discussed in this essay is the work considered by many to be Donatello’s most important work in pietra serena, the â€Å"Annunciation (c. 1435)† fo r the Cavalcanti tabernacle, in the Santa Croce Chapel, Florence.The entire piece is 218cmx268cm, and is an architectural sculpture that takes the place of an altar in a family chapel, located in the right aisle of the Chapel following the renovation of the Original church and destruction of the original Chapel by Vasari. The Annunciation itself is a biblical scene that refers to moment in which the angel Gabriel delivers the news to Mary that she is to bear the child of Christ. In the Bible, the Annunciation is narrated in the book of Luke, Luke 1:26-38: Luke 1:26 and in the sixth month the angel Gabriel was sent from God unto a city of Galilee, named Nazareth, to a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin's name was Mary. And the angel came in unto her, and said, Hail, thou that art highly favoured, the Lord is with thee: blessed ‘art' thou among women. And when she saw him, she was troubled at his saying, and cast in her mind wha t manner of salutation this should be. And the angel said unto her, Fear not, Mary: for thou hast found favour with God. And, behold, thou shalt conceive in thy womb, and ring forth a son, and shalt call his name Jesus. He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David. It was the skill of Donatello to translate this scene into a sculpture so vibrant and powerful that generation after generation would look upon it and understand the power and significance of the depiction. According to Joachim Poeschke, author of â€Å"Donatello and his World†, like Leonardo da Vinci, Donatello felt that â€Å"the Distance between the viewer and the action had to be overcome in the emotional sense as well as the visual†.It is this mentality that causes the work of Donatello to sweep a viewer up and allow them to feel in the midst of the action, He did not have to â€Å"rely on realistic effects to create such brilliance but rather focus on his own imagination and creative control over his piece†. However, in this piece, Donatello does actually create a harmoniously realistic rendering of such a miraculous and often over-exaggerated scene. So how exactly does Donatello tell the story?Well the strength of the piece lies in its choice of subjects, their depiction, and the complex emotional brevity he applies to their story. The sculpture itself is carved from a single stone of pietra serena, a typically dark stone that is often avoided by sculptors for its monotony in tone and contrast but in the hands of Donatello he used exquisite gold gilding to create a rich and sensuous appeal to the carving. The gold would have glimmered high above the parishioners in the candlelight of the otherwise dark Franciscan church, notable for its one large external rose window.It is important to note the fact that the parishioners would have been looking up at the elevated sculpture as it plays a paramount role in our understanding of its depiction. Donatello used foreshortening in his rendering of Mary to the extent that on ground level, her right leg appears slightly shorter than it would be if it was anatomically correct. An article in â€Å"The Florentine† magazine by Jane Fortune discusses how this foreshortening allows the figures to stand out in what appears to be a much higher relief than one would expect. However, as Bonnie A. Bennett and David G.Wilkins say in â€Å"Donatello†, the use of a richly patterned and gilded background immediately behind the figures prevents the illusion of further depth, but this restricted spatial effect is very appropriate for Donatello’s annunciation as it architecturally justifies his omission of several iconic elements of the annunciation scene. If we look at the figures presented we see only the Angel Gabriel and Virgin Mary and her lyre back chair. It was common practice in the history of art in 15th Century t o depict Mary and surrounding with numerous symbols to increase the abject legitimacy of the art.Some of these elements include Mary reading or holding a book to display knowledge and wisdom, a lily for purity, a lectern for the word of God or a dove to show the Holy Spirit. In Donatello’s rendering of the Annunciation, however, there are none of these icons save for the Virgins’ book but there is also no loggia, no view into the virgin’s bedchamber, and no symbolic walled garden to represent her virginity. Florence’s museums and churches abound with portrayals that at times seem overcrowded with symbolism and icons to inform a viewer of the theological importance of the scene they are witnessing.Donatello has chosen to do with away with any imagery that may cloud the focus on the Virgin and Gabriel to allow a viewer to become swept up in the complex story at hand. These omissions only prove to make what Donatello has actually included all the more essent ial. If we look at how exactly he has illustrated the angel Gabriel we see that he has chosen the moment when Gabriel has literally just entered the room, his large, deep wings are still unfurled in manner that suggest he has only landed this very second to deliver his news.His drapery and ribbons are swept back behind him to accentuate this idea of swift movement and he appears to genuflect on one knee instead as he comes to a landing with his mouth slightly agape in the act of addressing the virgin. Donatello is transmitting the idea of the power and meaningfulness behind what Gabriel has to say. The Madonna herself is in a pose not usually seen up until that point in art history. According to Gerald S. Davies in the Burlington Magazine, â€Å"She is arrested at the precise moment when it expresses the most completely a condition of mental emotion†.She has been caught whilst reading a book; it is still held firmly in her grasp. We can tell she has just risen at the appearan ce of the angel as she has turned by impulse to leave, clearly taken aback by this miraculous apparition. Her right knee, already bent to take the first step, tells us this. Her left foot is planted firmly on the ground and is yet to be moved. With her right hand she is briskly yet still gracefully clasping for her mantle, which suggests it has fallen from her shoulders as she leapt up in commotion but also confirms that she is accepting of the Angel’s news as she places her hand on her heart.All of these subtle movements come together to express an emotional experience of hearing the message of an angel. Her face is turned downwards in a gracious pose reminiscent of Greek classical sculpture that places it almost completely in profile and away from the direction she is apparently walking. This one look, alone, tells us that what she is hearing is clearly an encapsulating and spellbinding message. In conclusion, Donatello has created something truly special in his depiction o f the Annunciation.His omission of several elements in this much re-created scene gave it its own individual appearance and personality, and although it is clearly indebted to the high-relief Greek classical sculptures of Donatello’s favour, it still remains utterly contemporary and even forward thinking in terms of renaissance sculpture. He has taken an otherwise difficult and unspectacular medium, pietra serena, and bent it to his will to create a spectacular piece of ecclesiastical sculpture.His contemporaries would have been so impressed by this work for its sheer courage if nothing else, Donatello did away with traditional conventions for the sake of expressing more genuine emotional in his art. His ability to allow the three essential elements of the story to occur simultaneously, that of the angel’s arrival and the virgin’s shock, his message being delivered, and Mary’s eventual acceptance, is what elevates this work of stone into another level of artistic expression for its time that would have amazed his contemporaries as well as the average citizens of Florence.References: Donatello- Bonnie A. Bennett and David G. Wilkins (pg. 32/147/148) Joachim Poeschke- Donatello and his world (pg. 32/56) Jane Fortune- Variation on a theme: Annunciation- The Florentine-published June 28, 2007 Giorgio Vasari- the lives of the Artists Tuscany Arts- Looking at Donatello’s Annunciation Gerald S. Davies – A Sidelight on Donatello’s Annunciation- The Burlington Magazine- published 1908

The Role Of Finances For Health Care Systems - 1507 Words

The role of finances for health care systems Inc. will be for managing the business’s finances. This ensures having cash available for expenses to ensure the business stays afloat and to ensures there is cash to provide a cushion for any costs that come up unexpectedly. Ensuring that the finances are managed means the company can make plans to ensure the future of the company (Brumley, 2015) and utilize the resources of the company to ensure its running at peak proficiency. The primary users for the financial information will be the finance department which consists of the chief financial officer, comptroller, treasurer and the personnel in charge of specific financial information within the company departments. This whole department reports to the chief executive officer who is responsible for all financial transactions for the company (Gapenski, 2013). There are many legal and regulatory issues that this business has to follow due to being in the health care industry. S ome of these issues are that the health care industry is highly regulated for people entering the industry for the well-being of the public. The personnel working in the health care industry have to be licensed or state certified. The facilities themselves have to be licensed and inspected by state personnel that ensure the quality of the facility and the personnel. The legal concerns for this health care business are varied for the health care industry but the primary concern is professionalShow MoreRelatedFinancing Of United States Health Care1127 Words   |  5 PagesStates Health Care Financing the United States (U.S.) health care system is complicated and difficult at best. The role policy makers and health care professionals play in the reform and restructuring of the U.S. health care system is very important. 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